_homepage
Sineglossa works on mirage, using the power that light has of hiding objects.
It looks for the presence of a body who always moves in front of the eyes of the audience, before they can possess it completely, challenging the certainty of the concrete flesh and blood.
Sineglossa’s poetics is distant from pop art, cynism, nihilism and divertissement. It does not look for the description of daily life, through mimesis and likelihood, but uses the allegorical expression with the aim of opening the multiple levels of Reality.
It asks to reassemble a meaning which makes sense only in the subjectivity of the relationship between the work and the physical, emotional and cultural condition of the audience.
The acting is deeply connected to the visual part and the sound aspects.
All the elements are in a continuous dialogue for the further step.
When the momentof the performance comes the gestures follow a surgical attention, with a millimetric precision: a mechanical pattern which is synthesis of the sensibility, the imagery and the humanity of the actors involved, never reduced as mere puppets.
The esthetic care does not imply a renounce to emotion, which spreads, mainly, from the presence of fragile bodies.
The handicraft is an essential prerogative of the work. There is no use of digital or complex technological systems to produce images, but the work is done mainly with self-produced objects, to get to know in all the details the tools moved in the scene, giving them life as a demiurge.
The fact of creating the work through artistic residencies in different places encouraged Sineglossa to think its work as nomadic. A choice which is in line with the interests on the topic of identity not as a substance, but as a relation based accident, in all its multiple and contradictory faces.
Sineglossa is:
Federico Bomba dramaturg and director
Luca Poncetta visual artist
Simona Sala performer
and always works with other artists (musicians, singers, actors, scenographers) encountered in its way.
print >>>
It looks for the presence of a body who always moves in front of the eyes of the audience, before they can possess it completely, challenging the certainty of the concrete flesh and blood.
Sineglossa’s poetics is distant from pop art, cynism, nihilism and divertissement. It does not look for the description of daily life, through mimesis and likelihood, but uses the allegorical expression with the aim of opening the multiple levels of Reality.
It asks to reassemble a meaning which makes sense only in the subjectivity of the relationship between the work and the physical, emotional and cultural condition of the audience.
The acting is deeply connected to the visual part and the sound aspects.
All the elements are in a continuous dialogue for the further step.
When the momentof the performance comes the gestures follow a surgical attention, with a millimetric precision: a mechanical pattern which is synthesis of the sensibility, the imagery and the humanity of the actors involved, never reduced as mere puppets.
The esthetic care does not imply a renounce to emotion, which spreads, mainly, from the presence of fragile bodies.
The handicraft is an essential prerogative of the work. There is no use of digital or complex technological systems to produce images, but the work is done mainly with self-produced objects, to get to know in all the details the tools moved in the scene, giving them life as a demiurge.
The fact of creating the work through artistic residencies in different places encouraged Sineglossa to think its work as nomadic. A choice which is in line with the interests on the topic of identity not as a substance, but as a relation based accident, in all its multiple and contradictory faces.
Sineglossa is:
Federico Bomba dramaturg and director
Luca Poncetta visual artist
Simona Sala performer
and always works with other artists (musicians, singers, actors, scenographers) encountered in its way.
print >>>